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IN TABLE"As the five-century arc of its title would suggest, Nick Hornby’s exhibition at Churner and Churner, ‘Sculpture, 1504–2013,’ made no bones about its ambition, even by means of a few, discreet works.[...]This recent body of work seems more predominantly concerned with a rigorous approach to subtractive form, and a play between corporeal figuration and geometric abstraction. The results so far have been outstanding."

– Ara H. Merjian, Frieze Magazine issue 162, April 2014.IN TABLE

  
   

 

IN TABLE2"As the five-century arc of its title would suggest, Nick Hornby’s exhibition at Churner and Churner, ‘Sculpture, 1504–2013,’ made no bones about its ambition, even by means of a few, discreet works.[...]This recent body of work seems more predominantly concerned with a rigorous approach to subtractive form, and a play between corporeal figuration and geometric abstraction. The results so far have been outstanding."

– Ara H. Merjian, Frieze Magazine issue 162, April 2014.IN TABLE

  
   

 

 

"As the five-century arc of its title would suggest, Nick Hornby’s exhibition at Churner and Churner, ‘Sculpture, 1504–2013,’ made no bones about its ambition, even by means of a few, discreet works.[...]This recent body of work seems more predominantly concerned with a rigorous approach to subtractive form, and a play between corporeal figuration and geometric abstraction. The results so far have been outstanding."

– Ara H. Merjian, Frieze Magazine issue 162, April 2014.

 

"As the five-century arc of its title would suggest, Nick Hornby’s exhibition at Churner and Churner, ‘Sculpture, 1504–2013,’ made no bones about its ambition, even by means of a few, discreet works.[...]This recent body of work seems more predominantly concerned with a rigorous approach to subtractive form, and a play between corporeal figuration and geometric abstraction. The results so far have been outstanding."

– Ara H. Merjian, Frieze Magazine issue 162, April 2014.

 

"As the five-century arc of its title would suggest, Nick Hornby’s exhibition at Churner and Churner, ‘Sculpture, 1504–2013,’ made no bones about its ambition, even by means of a few, discreet works.[...]This recent body of work seems more predominantly concerned with a rigorous approach to subtractive form, and a play between corporeal figuration and geometric abstraction. The results so far have been outstanding."

– Ara H. Merjian, Frieze Magazine issue 162, April 2014.

 

"As the five-century arc of its title would suggest, Nick Hornby’s exhibition at Churner and Churner, ‘Sculpture, 1504–2013,’ made no bones about its ambition, even by means of a few, discreet works.[...]This recent body of work seems more predominantly concerned with a rigorous approach to subtractive form, and a play between corporeal figuration and geometric abstraction. The results so far have been outstanding."

– Ara H. Merjian, Frieze Magazine issue 162, April 2014.

 

"As the five-century arc of its title would suggest, Nick Hornby’s exhibition at Churner and Churner, ‘Sculpture, 1504–2013,’ made no bones about its ambition, even by means of a few, discreet works.[...]This recent body of work seems more predominantly concerned with a rigorous approach to subtractive form, and a play between corporeal figuration and geometric abstraction. The results so far have been outstanding."

– Ara H. Merjian, Frieze Magazine issue 162, April 2014.