Patrons, Muses and Professionals: Eyebeam, New York
Each work hybridizes three distinct portraits, one individual representing each of the titular archetypes. Hornby models his chosen subjects digitally, overlapping them to create composite virtual objects that reveal shifting aspects of their source material. The results are carved via CNC. The artist casts the final objects by hand with plaster and clay...
Patrons, Muses and Professionals
24th Sept - 23rd October 16th 2010.
Private View 6-9pm Thursday 23rd Sept Curated by Joe Winter
EYEBEAM
540 W. 21st Street, New York, NY 10011
Eyebeam is pleased to present Patrons, Muses and Professionals, a series of sculptures by London-based artist Nick Hornby installed in the Eyebeam Window Gallery.
In Patrons, Muses, and Professionals, Hornby presents three busts derived from eighteenth century portraits on view at the Victoria and Albert Museum in London. Each work hybridizes three distinct portraits, one individual representing each of the titular archetypes. Hornby models his chosen subjects digitally, overlapping them to create composite virtual objects that reveal shifting aspects of their source material. The results are carved via CNC. The artist casts the final objects by hand with plaster and clay from these industrially-generated positives.
One part handmade, one part computer-generated, one part professionally fabricated. One part inspired, one part quoted, one part calculated. Through both its production process and archetypal subject matter, Hornby's work creates a nuanced historical take on a contemporary penchant to complicate authorship and dematerialize the objects of art. By pairing historical subject matter--the portrait bust--with digital production processes, the work draws parallels between the disappearance of the hand in art making and the extra-individual forces that have historically shaped artistic production: patronage and collection; the distribution of labor and skill; the uncertainty of inspiration.
Patrons, Muses and Professionals simultaneously embraces and inverts the dynamics of portraiture. Commissioned for biographical and often rendered with allegorical content in mind, the portrait is often read in light of an artist's interpretation of the subject. Hornby's composites, however, suggest the myriad ways the subject remakes the artist. Rather than a single subject, Hornby assembles a whole cast of characters as a means to question the extent to which the artist has ever been the sole proprietor of creation. As an alternative, he casts the artist, subjects, and viewer as single points in an expansive network of production, consumption, and distribution of cultural artifacts.
Patrons, Muses, and Professionals is the third in series of site-specific window gallery installations organized by Eyebeam alum Joe Winter. All works in the exhibition appear courtesy of Alexia Goethe Gallery, London.
Patrons, Muses and Professionals
24th Sept - 23rd October 16th 2010.
Private View 6-9pm Thursday 23rd Sept Curated by Joe Winter
EYEBEAM
540 W. 21st Street, New York, NY 10011
Eyebeam is pleased to present Patrons, Muses and Professionals, a series of sculptures by London-based artist Nick Hornby installed in the Eyebeam Window Gallery.
In Patrons, Muses, and Professionals, Hornby presents three busts derived from eighteenth century portraits on view at the Victoria and Albert Museum in London. Each work hybridizes three distinct portraits, one individual representing each of the titular archetypes. Hornby models his chosen subjects digitally, overlapping them to create composite virtual objects that reveal shifting aspects of their source material. The results are carved via CNC. The artist casts the final objects by hand with plaster and clay from these industrially-generated positives.
One part handmade, one part computer-generated, one part professionally fabricated. One part inspired, one part quoted, one part calculated. Through both its production process and archetypal subject matter, Hornby's work creates a nuanced historical take on a contemporary penchant to complicate authorship and dematerialize the objects of art. By pairing historical subject matter--the portrait bust--with digital production processes, the work draws parallels between the disappearance of the hand in art making and the extra-individual forces that have historically shaped artistic production: patronage and collection; the distribution of labor and skill; the uncertainty of inspiration.
Patrons, Muses and Professionals simultaneously embraces and inverts the dynamics of portraiture. Commissioned for biographical and often rendered with allegorical content in mind, the portrait is often read in light of an artist's interpretation of the subject. Hornby's composites, however, suggest the myriad ways the subject remakes the artist. Rather than a single subject, Hornby assembles a whole cast of characters as a means to question the extent to which the artist has ever been the sole proprietor of creation. As an alternative, he casts the artist, subjects, and viewer as single points in an expansive network of production, consumption, and distribution of cultural artifacts.
Patrons, Muses, and Professionals is the third in series of site-specific window gallery installations organized by Eyebeam alum Joe Winter. All works in the exhibition appear courtesy of Alexia Goethe Gallery, London.